Best Crime Movies on YouTube

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It’s a fundamental truth that crime doesn’t pay…unless you count the money you get for committing crime, or the even bigger windfall you get when a streaming service picks your life rights. If we set aside all that money, crime doesn’t pay. If you are a felon and lead a quiet and deliberate sober life as a result (never paid), you will try to stretch your entertainment dollar as much as possible.

Rejoice, watchers: YouTube has a long list of movies that you can watch for free on the device of your choice. Plus, they have a great selection of crime movies, all fresh out of the back of the truck and there, waiting for someone to watch. It would be a shame to let them go to waste.

Here is the list of the best police movies on YouTube

Psychopath

Rating: 4.7/5A series of murders takes place in Coimbatore. There is an investigation to catch the criminal. But after watching Psycho, I want to talk about Bharathiraja’s Siapppu Rojakkal, which was released in 1978. Kamal Haasan’s protagonist describes the life of a traumatized person, who later becomes a psychopath and ends up killing women after having sex with them. . Here the serial killer does not do all that.

He takes them home, cuts off their heads, refrigerates them like ice cream is stored in a cooler. In Siappu Rojakkal you could feel the fear. He felt organic. But in Psycho it seems a bit staged. However, we quite feel the emotions that we need to feel.

jester

Rating: 4.6/5Truly a masterpiece, the best Hollywood movie of 2019, one of the best movies of the decade… And truly the best movie to bring such a chilling and realistic comic to life. Outstanding directing, cinematography, music and acting. Some people find it disturbing and AWESOME, but it is a necessity and a message.

It is about society and reflects undervalued/unrecognized/bullied people, showing that they too can do something. The way he shows class difference, corruption and how the rich and talented others rule around him is not an exaggeration and that is what sets him apart.

Raman psycho

Rating: 4.5/5Writer-director Anurag Kashyap established himself as one of India’s most exciting crossover filmmakers with the staggeringly tongue-in-cheek gangster epic Gangs of Wasseypur, whose creative invention his subsequent films have struggled to even come close to. Such is the case with the serial killer thread Psycho Raman (Raman Raghav 2.0), his third title to star in the Cannes Directors’ Fortnight, whose unoriginal premise is that cops and criminals have a lot in common.

The line between good and evil is easy to cross. By keeping the director’s trademark violence and bloodshed more or less out of the picture, it’s far less off-putting to watch than the child-abduction tale Ugly, though it shows a similar level of cynicism towards Mumbai. policeman. Raising the bar, the issue here isn’t police incompetence or even corruption, but rather your license to kill tempting a cocaine-addled officer into very dark waters.

Bob Biswas

Rating: 4.5/5One of the most notable characters in Sujoy Ghosh’s 2012 Kahaani was the unctuous, seemingly innocent and understated Bob Biswas. If you met him on the street, you wouldn’t even notice him, an enviable quality of a hit man. Mr. Biswas carried out his orders with efficiency, appearing where he needed to be, drawing his pistol from him and shooting his victim cleanly between the eyes. Saswata Chatterjee interpreted it with a laughing threat: you wouldn’t want to meet this man in an empty alley.

This time, Abhishek Bachchan plays the life insurance agent who makes his living by taking lives. We smile morbidly, as it should. The death toll is higher than in the previous film, the cold-bloodedness of the murders rivals even the harshest Hollywood thrillers. This new Bob is at stake as he runs his business: not only his own life, but also the lives of those he loves most, his wife and children, could be in grave danger.

anger of man

Rating: 4.4/5This character is named Patrick “H” Hill (one letter from “Hell”). His colleagues at the Fortico armored car company in Los Angeles call him ‘H’, which makes him something of a Kafka character, an almost nameless cog in a social machine. H is a rookie at work. He reads like a gruff, socially inept, uncommunicative asshole (he barely passes his driving and shooting tests, and his resting face is somewhere between brooding and furious), but his supervisor Bullet (Holt McCallany) hires him anyway because beggars cannot choose. Morale has been low since a daylight robbery turned into a bloody public shootout that claimed several lives, including two Fortico guards.

bazar

Rating: 4.3/5

Anchored by a rock-solid central performance from Saif Ali Khan, Baazaar gallops along at a decent pace, but still feels a bit stiff due to its predictable storyline. In the guise of Dalal Street’s Gordon Gecko, Khan drives the film’s most daring moments, conveying the unabashed amorality of a stockbroker who wears a very thin layer of courtesy while operating in a manner that leaves no trace of his fraudulent practices. .

When the mask slips, and it often does, his fangs wreak havoc. Khan invests the character with bewitching charm and a smooth, steely edge. In the process, he makes it that much more seedy and toxic.

8 ocean

Rating: 4.2/5

In the midst of this bloated blockbuster season packed with comic book superheroes, here are your true avengers: the formidable female cast of “Ocean’s 8,” taking us on a dizzying, effervescent escape while making a sharp statement about the reality of the world. . world we live in. It’s a heist movie that continues the tradition of Steven Soderbergh’s “Ocean’s” trilogy (Soderbergh serves as producer this time), with all the elaborate machinations you’d expect from the series.

It’s crime like high art, which is fitting, given that this time the heist takes place at The Met Gala, the annual fashion extravaganza at New York’s Metropolitan Museum of Art. It’s also the funniest movie co-writer/director Gary Ross has made since his directorial debut, “Pleasantville,” 20 years ago. Steady-beating and oozing sexy glamour, “Ocean’s 8” moves with the swagger of a supermodel prancing down the runway.

The mule

Rating: 4.1/5

Inspired by a New York Times Magazine article by Sam Dolnick called “The Sinaloa Cartel’s 90-Year-Old Drug Mule,” “The Mule” is a far cry from the red-state fantasy some people feared of a drug mule. it was MAGIC. from an author who has publicly supported the Republican Party in the relatively recent past (two presidential elections and countless news cycles ago).

By contrast, Eastwood’s latest thriller is a tender, contradictory, and at times hilarious meditation on what America conditions people to want for themselves, on how natural it can be to forget who you are in a country where work is an identity in itself. .

Terminal

Rating: 4.0/5

Steven Spielberg and Tom Hanks have created a sweet and delicate comedy in “The Terminal”, a breath-taking film conceived with such precision. There are lots of laughs, but he never seems to make any effort for them; he knows exactly, meticulously and in every detail who his hero is and remains absolutely consistent with what he believes and how he behaves.

The hero is called Viktor Navorski. He has arrived at a huge American airport just as his country, Krakozia, has fallen to a coup. Therefore, his passport and visa are worthless, his country no longer exists, and he cannot go forward or backward. Dixon, the customs officer (Stanley Tucci), tells him that he can stay in the international arrivals hall, but that he is prohibited from stepping on US soil.

No sudden movement

Rating: 3.9/5

Steven Soderbergh returns to HBO Max this week with a phenomenal genre exercise, an old-fashioned movie that features one of the sharpest ensembles he’s ever put together (which is actually saying something). embedding sharp social commentary in a story of men with ulterior motives, in which only the truly corrupt rise to the top.

Soderbergh has always been an incredibly economical filmmaker (there is no grease in his best films and no unnecessary cuts or diversions) and this is one of his strictest films, a steel barrel of betrayal and twists. For whatever reason, it seems the director of modern classics like “Out of Sight” and “The Limey” is still underrated in some quarters; take the fact that this movie, which would look great on the big screen, will be mostly seen. on tablets, but history will recognize him as one of the best of his generation, and “No Sudden Move” is just one more proof.

Final words: Best Crime Movies on YouTube

I hope you understand and like this list Best Crime Movies on YouTube, if your answer is no then you can ask anything via contact forum section related to this article. And if your answer is yes then please share this list with your family and friends.

Amy Hinckley
Amy Hinckley
The Dell Inspiron 15 that her father purchased from QVC sparked the beginning of her interest in technology. At Bollyinside, Amy Hinckley is in charge of content editing and reviewing products. Amy's interests outside of working include going for bike rides, playing video games, and watching football when she's not at her laptop.

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