Best Nikon Camera Lens 2024: to take any kind of picture

For the first few months of my journey as an amateur photographer, I was interested and wanted to get better. You may have felt like you were missing something from your photography gear at times, whether you’re just starting out or have been practicing for a while. You know what it’s like when you’re trying hard to get the perfect shot but aren’t quite successful. Getting the right lens became the most important thing for me when it came to photography.

Any DSLR’s performance is only as good as the lens it is equipped with. If you invest in a Nikon system, you have access to a large range of own-brand optics, including anything from super-telephoto lenses to ultra-wide-angle zooms and just about everything in between. It makes sense to want to stick with Nikon’s own NIKKOR lenses, but doing so can be a mistake. Below we have mentioned some of the best Nikon Camera Lens.

What to Consider When Choosing a Nikon Camera Lens?

There are a lot of things to think about when choosing a Nikon camera lens to make sure you get the one that fits your photography needs the best. Here is what to think about:

Length of Focus: The focal length of a lens is what determines its field of view and how much it can zoom in. Shorter focal lengths, like 18mm, give you a wide field of view, which is great for taking pictures of landscapes and buildings. Longer focal lengths, like 200mm, give you more zoom, which is good for wildlife and sports.

Openness of the lens: The aperture changes how much light the lens can take in and how well it can blur the background (called “bokeh”). For low-light situations and creative depth of field effects, a wider aperture (like f/1.8) is helpful.

Focusing automatically and manually: Some lenses have an autofocus motor (AF-S), but others have to be focused manually (MF) on cameras that don’t have autofocus motors built in. Think about what you like and what your camera can do.

Image stabilization and reduction of shake: VR or IS systems help reduce camera shake, which is especially helpful when shooting with a slow shutter speed and a long focal length while holding the camera by hand.

Compatibility of lens: Make sure the lens’s mount (F-mount or Z-mount for mirrorless) works with the mount on your Nikon camera body.

Build and Weight of the Lens: Think about how well the lens is made and how much it weighs. Some lenses are small and easy to carry, while others are big and heavy. This makes it harder to carry and use.

Best Nikon Camera Lens

Even though Nikon’s prime and zoom lenses often have very high quality, they aren’t always the “best buys.” Independent lens producers like Sigma and Tamron have consistently improved their products over the past few years. Many of the most recent third-party lenses are exquisitely manufactured, stunningly designed, and perform on par with Nikon’s own options. Even better, Nevertheless, they frequently provide all of this at far lower purchase prices, making them excellent values.

Nikon AF-S DX NIKKOR 35mm f/1.8G Lens

Nikon photographers began requesting a similar lens for full-frame cameras. Those who didn’t want to spend more than $1500 on the professional Nikkor 35mm f/1.4G didn’t have many options from Nikon other than getting either the full-frame 35mm f/1.8G DX lens or the older Nikkor 35mm could use f/2D lens.

Sigma’s timing for the Sigma 35mm f/1.4 Art was spot on for a number of people with its lower price and excellent optical performance, but there were also size and bulk considerations. Finally, on January 6, 2014, Nikon announced the Nikkor 35mm f/1.8G ED lens to fill this gap. With an MSRP of 599 US dollars, the lens is not only significantly cheaper than the f/1.4 version, but also twice as light and compact.

Nikon AF FX NIKKOR 50mm f/1.8D Lens

A must-have for standard portraits and everyday use, the AF NIKKOR 50mm f/1.8D is a lens that will take you by surprise. The 50mm focal length (equivalent to 75mm on DX format cameras) with a bright f/1.8 aperture allows you to capture stunning images with a shallow depth of field, making your subjects stand out from their background. The AF NIKKOR 50mm f/1.8D could soon become your new favorite lens.

This lightweight standard lens is a great travel companion because you never know when a beautiful, sunny day will turn cloudy and rainy. With its fast f/1.8 maximum aperture, the AF NIKKOR 50mm f/1.8D captures even low-light situations with impressive brilliance.

Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED Vibration Reduction Zoom Lens

Whether your subject is far or close, fast or slow, you can land the shot. On FX format cameras, 500mm brings distant birds, wildlife, athletes, artists, landmarks and more into sharp focus. DX format cameras add an additional 1.5x zoom effect for an angle of view equivalent to a whopping 750mm! And despite this extreme performance, you can also focus on subjects up to 2.10 m away for detailed close-up shots.

At super-telephoto distances, even the slightest camera movement can blur the image. Image stabilization with vibration reduction counteracts camera shake up to ~4.5 stops** for sharp photos and smooth videos. You can also shoot in low light with slower shutter speeds – ideal for those magical moments at dawn and dusk. Sports mode is optimized for camera lens and other movements common when shooting fast-paced action.

Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR Lens

Discover exciting new photo and video possibilities with this exceptional super-telephoto zoom lens with Nikon Vibration Reduction (VR) image stabilization for blur-free results. Optimized for compact DX-format DSLRs, the AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR picks up where your 18-55mm lens leaves off to bring distant action within reach bring. Capture sports, wildlife, concerts, landmarks – any faraway subject – with phenomenal clarity and precision. But this lens isn’t just about getting closer. The excellent optics and telephoto field of view produce beautiful portraits with slightly blurred backgrounds.

With VR image stabilization and quiet autofocus pulse motor (with stepper motors), the AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR is the ideal choice for video recording and stills, even when hand-held will. A phenomenal secondary lens, the AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR picks up where your 18-55mm leaves off. Compact and lightweight, but with a powerful zoom, it helps bring the most distant subjects into focus. Capture stunning close-ups of sports, wildlife, concerts, school events and more.

Nikon AF-S DX Micro-NIKKOR 40mm f/2.8G Close-up Lens

Nikon 40mm f/2.8G DX macro/micro. The Nikon 40mm f/2.8G DX, also known as the AF-S DX Micro-NIKKOR 40mm f/2.8G, is a consumer-quality lens for photo enthusiasts who need an affordable macro lens with good performance . In the current line of macro lenses from Nikon, this lens has the lowest price and the shortest focal length. Given the current lineup of Nikon large-aperture prime lenses like the Nikon 35mm f/1.8G and Nikon 50mm f/1.8G, one might wonder what the Nikon 40mm f/2.8G DX has to offer that the others fixed focal lengths cannot afford.

Due to this physical extension of the optical elements away from the sensor, some light is lost before it reaches the sensor. To compensate for the loss of light, the lens automatically reduces its aperture. Therefore, you will find that although the maximum lens aperture is listed as f/2.8 in lens specifications and literature, the actual lens aperture will vary from f/2.8 to f/4.2 depending on how close you are located on the subject. Because most modern macro lenses are designed to focus on both distant objects at infinity and very close objects with great precision, lens elements that control focus must move slowly in small increments.

NIKON NIKKOR Z DX 50-250mm f/4.5-6.3 VR Ultra

A telephoto lens gives you more than just zoom power. Telephoto lenses are great for portraits – they render faces naturally and without distortion. They make your subject stand out against a soft, blurry background. They let you fill the frame with interesting compositions. And yes, they also let you get closer to the action – wildlife, sports, concerts, events and more. The NIKKOR Z DX 50-250mm f/4.5-6.3 VR offers compact, lightweight telephoto shooting for Z-series cameras.

With telephoto shots, even the slightest camera movement can blur an image. Videos are even less forgiving – we’re all familiar with shaky smartphone videos. The NIKKOR Z DX 50-250mm f/4.5-6.3 VR features the most effective Vibration Reduction (VR) system of any NIKKOR model ever, Your videos will be rock solid and your telephoto photos sharp and clear.

Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED Vibration Reduction Zoom Lens

The world is full of amazing vistas – some right in front of us, others far in the distance. Capture them all beautifully with a single lens, the outstanding all-in-one AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR telephoto zoom lens. The AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR is surprisingly compact and lightweight for a 16.7x zoom lens. Drawing on the outstanding performance of Nikon DX format digital SLR cameras, it is a highly versatile secondary lens.

Capture wide-angle scenic landscapes and group photos, portraits with slightly blurred backgrounds, super telephoto close-ups and everything in between – if you can see it, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR can capture it. It’s optimized for capturing still images and HD video, and features special vibration-reduction technology for crisp photos and smooth videos, even when your hands are a bit shaky. And since it’s a NIKKOR, it has some of the best optics available. Whether you’re looking for a lens with maximum versatility or are just a photographer who takes inspiration anywhere, the AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR will help you get more out of life capture great prospects.

Nikon AF-S DX Micro NIKKOR 85mm f/3.5G ED

The distance scale is shown in meters and feet and also shows the magnification ratio. The lens achieves 1:1 magnification – meaning life-size objects are projected onto the image sensor – at its closest focus distance, around 11.2 inches. This is measured by the image sensor, so in reality you have about 5 inches between the front element and your subject to achieve the maximum magnification factor.

This can be a problem when photographing insects or in light where you may cast a shadow on your subject. I used Imarets to check optical performance in conjunction with the 24-megapixel Nikon D5500. At f/3.5 it scores 2,304 lines per frame height on a center-weighted sharpness test, with consistent performance over much of the frame but a noticeable drop (1,993 lines) at the edges.

How to Care for Your Nikon Camera Lenses?

Taking care of your Nikon camera lenses is important if you want them to stay in good shape and keep giving you high-quality photos. Taking care of your lenses can make them last longer and help you avoid problems. Here are some tips on how to take care of the lenses on your Nikon:

Keep Your Lenses Covered: Always use lens caps to protect the front and back parts of your lenses when you’re not using them. This keeps dirt, dust, and other particles from getting on the glass surfaces.

Use a UV or Clear Filter: On the front of your lens, you might want to put a UV or clear filter. This can add an extra layer of protection against scratches, dust, and accidental smudges. Make sure to use good filters to keep the image quality from going down.

How to Clean Your Lenses: Use a soft-bristled lens brush or a blower to remove loose dust when you clean your lenses. Use a microfiber lens cleaning cloth or lens cleaning tissue to get rid of smudges, fingerprints, and dirt that doesn’t want to come off. If needed, put a small amount of lens cleaning solution on the cloth or tissue, but don’t use too much.

Avoid Touching the Glass: Try to avoid touching the lens glass as much as possible. Fingerprints and smudges can affect the quality of the image, and putting too much pressure on the lens coating can scratch it.

How to store: Keep your lenses in a cool, dry place away from direct sunlight, extreme temperatures, and humidity. To keep dust from getting into the rear element, it’s best to store them vertically with the back cap on.

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