I have used both Samyang and Rokinon lenses, and I can tell you that Samyang is the company that makes them and Rokinon is the brand that you’ll most likely see, especially in North America. As I’ve learned more about photography, I’ve learned that the Best Rokinon Camera Lenses are known for taking great pictures at surprisingly low prices.
I made the right choice when I was on a tight budget but still wanted great picture quality: I chose a Rokinon lens. They really show how much value they offer. What surprised me even more, though, is that Rokinon has added a lot of new products. There are now autofocus lenses made by them that are both more affordable and just as good as the well-known brands.
If you, too, are interested in antique glass, you might be interested in taking a look at our latest roundup of Legacy lenses with the best value for money. Today we will look at some of Samyang’s cutting-edge products that will consistently produce excellent results without breaking your budget. Below, we have mentioned the best lenses for rokinon cameras.
Best Rokinon Camera Lens
Rokinon 135mm F2.0 ED UMC Telephoto Lens
The optical design incorporates an ultra-low dispersion lens element to control chromatic aberration, helping to provide sharp, color-accurate images, while each lens element features Ultra Multi-Coating to improve light transmission and reduce ghosting and flare. Following the recent Rokinon 12mm Fisheye and 50mm F1.4 lenses, Rokinon expands its already impressive line of prime full frame lenses with the Rokinon 135mm f2.0 ED UMC Digital telephoto lens.
Rokinon 35mm f/1.4 Lens
The Rokinon 35 mm f/1.4 AS UMC lens is a premium standard wide-angle lens designed for full-frame and APS-C sensors. When used with an APS-C sensor, the 35 mm equivalent focal length is 56 mm. Two high refractive index elements and an aspherical element have been incorporated into the optical design to minimize chromatic aberration and produce sharper images.
The new Rokinon 35 mm F/1.4 AS UMC A wide-angle spherical lens is an optically sophisticated lens designed for full-frame cameras. It can also be used on APS-C and Four Thirds cameras. The lens is beautifully constructed with two quality glass lenses with a high refractive index. Weight and size can therefore be kept as low as possible.
Rokinon 35mm f/1.4 Lens
The Rokinon 35 mm f/1.4 AS UMC lens is a premium standard wide-angle lens designed for full-frame and APS-C sensors. When used with an APS-C sensor, the 35 mm equivalent focal length is 56 mm. Two high refractive index elements and an aspherical element have been incorporated into the optical design to minimize chromatic aberration and produce sharper images.
The new Rokinon 35 mm F/1.4 AS UMC A wide-angle spherical lens is an optically sophisticated lens designed for full-frame cameras. It can also be used on APS-C and Four Thirds cameras. The lens is beautifully constructed with two high refractive index quality glass lenses.
Rokinon 12mm F2.8 Ultra Wide Fisheye Lens
The Rokinon 12mm f/2.8 ED AS IF NCS UMC fisheye lens offers a 180-degree diagonal angle of view on Canon full-frame cameras for an ultra-wide, distorted perspective useful for architectural interiors, landscapes and creative experimentation in any photographic application.
The new Rokinon 12mm F2.8 fisheye lens for full-frame cameras now makes capturing dramatic 180-degree views accessible with exceptional optical performance and full-frame sensor coverage. Photographers can now appreciate high image quality with quiet, smooth and complete focusing.
Rokinon 16MAF-N 16mm f/2.0 Aspherical Wide Angle Lens
The fast maximum aperture of f/2.0 is effective in low-light shooting and offers a shallow depth of field. Chromatic aberrations are minimized with two aspherical elements and an ultra-low dispersion element, resulting in sharp, accurate images. The NEW Rokinon 16mm F/2.0 aspherical ultra-wide-angle lens is Rokinon’s latest addition to its range of affordable, high-quality prime lenses.
The new 16mm lens is designed for cameras with APS-C crop frame sensors. The lens consists of 13 elements in 11 groups and has 2 aspherical elements. The Rokinon 16mm f/2.0 ED AS UMC CS lens is a wide-angle manual focus lens compatible with APS-C format DSLR digital cameras. It offers a field angle of 83.1° for APS-C and 79.5° for Canon APS-C, equivalent to 25.6mm in 35mm format.
Rokinon 135mm F2.0 ED UMC Telephoto Lens
The Rokinon 135 mm f/2.0 ED UMC lens is a primary telephoto lens with manual focus suitable for portraiture and most telephoto applications. The high maximum aperture of f/2.0 is effective in low-light conditions and allows for depth-of-field control.
The optical design incorporates an ultra-low dispersion lens element to control chromatic aberration, helping to provide sharp, color-accurate images, while each lens element has an Ultra Multi-Coating coating to improve light transmission and reduce ghosting and flare.
Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens
The 12 mm F2.0 is suitable for architectural, interior and landscape shots, and its fast maximum aperture of f/2.0 is ideal for low-light work. The compact and lightweight Rokinon 12 mm f/2.0 NCS CS wide-angle prime lens for Canon M-series APS-C cameras offers a 35 mm equivalent focal length of 19.2 mm with a wide angle of view of 98.9°.
Rokinon 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens
The Rokinon 10 mm F2.8 ultra-wide-angle lens is the latest addition to its popular range of fixed-mount wide-angle prime lenses. Specially designed for APS-C cameras, it uses a nano-crystal anti-reflective coating system, aspherical elements and ultra-low dispersion glass to deliver a high-performance, full-frame ultra-wide-angle view equivalent to a 15mm lens (16mm for Canon APS-C DSLRs) on a full-frame camera.
The 106-degree field of view with its fast f/2.8 aperture provides the performance architectural and landscape photographers need to capture dramatic perspectives, while the extreme depth of field and 9.5-inch (0.24-m) close-focus capability allow commercial photographers and journalists to work in tight spaces to get the shot they want.
Rokinon 12mm F2.8 Ultra Wide Fisheye Lens
The Rokinon 12mm f/2.8 ED AS IF NCS UMC fisheye lens offers a 180-degree diagonal angle of view on Canon full-frame cameras for an ultra-wide, distorted perspective useful for architectural interiors, landscapes and creative experimentation in any photographic application. The new Rokinon 12mm F2.8 fisheye lens for full-frame cameras now makes capturing dramatic 180-degree views accessible with exceptional optical performance and full-frame sensor coverage. Photographers can now appreciate high image quality with quiet, smooth and complete focusing.
The ultra-wide-angle perspective image produced by this lens fills the entire frame, which can be especially useful for architecture and landscape. To produce panoramas, 360-degree virtual tours or images that require distortion, exaggerated perspective and extreme depth of field.
Rokinon 135mm F2.0 ED UMC Telephoto Lens
The Rokinon 135 mm f/2.0 ED UMC lens is a primary telephoto lens with manual focus suitable for portraiture and most telephoto applications. The high maximum aperture of f/2.0 is effective in low-light conditions and allows for depth-of-field control. Following the recent Rokinon 12mm Fisheye and 50mm F1.4 lenses, Rokinon expands its already impressive line of prime full frame lenses with the Rokinon 135mm f2.0 ED UMC Digital telephoto lens.
This high-speed telephoto lens features a 9-bladed circular aperture for excellent bokeh effect, a non-rotating filter mount, high-performance ED glass elements, Ultra Multi-Coating UMC anti-reflective coating, close focusing up to 2.6 feet, and close color matching with the Rokinon lens system. The optical design incorporates an ultra-low dispersion lens element to control chromatic aberration, contributing to sharp, color-accurate images, while each lens element has an Ultra Multi-Coating coating to improve light transmission and reduce ghosting and flare.
Final Words
As Samyang/Rokinon has shown, high-quality optics shouldn’t necessarily be prohibitively expensive. Every professional and enthusiast on a tight budget should be able to obtain the most value from the lenses on this list. The camera market will always be competitive if all third-party competitors stay the course and constantly deliver high-quality glass at more affordable rates.
