Best Linkin Park Hit Songs

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It was going to happen, definitely, eventually. The band was too big, too influential, too talented, too smart, too innovative. Sure, they were unlucky because their commercial and artistic heyday came at a time when mainstream rock music was at its most boring and least inventive, and they were doubly unlucky because they were a direct influence on many of the bands responsible for making it so. . But Linkin Park themselves never were. His best music was electric, transgressive and undeniably vital. Dismissing them along with the monotonous misogyny that characterized nu-metal well into the 2000s is no more fair than dismissing Nirvana with the mediocre post-grunge bands of the 90s.

Dismissed by narrow-minded critics as a guitar-wielding “pop” band and by many obvious fans as a “sellout” after their numerous reinventions, hindsight has been kind, as searing authenticity, machine efficiency and unabashed approachability persist long after the bravado has ended. dissipated. These innovations make ranking the best individual Linkin Park songs a complicated and one-sided affair. Except that each album has its own place in the hearts of fans, it’s still a lot of fun to figure out which song in their arsenal of hits rules them all.

Top Linkin Park Hit Songs

“Skip All The Rest” (minutes to midnight)

A full decade before they announced their sellout with their 2017 #1 album One More Light, Linkin Park essentially set the template for their post-metal existence with early Minutes to Midnight, highlight “Leave Out All the Rest.” , a power that shines softly. ballad that sounds particularly self-indulgent today: “Help me give up some reasons to miss myself…. Keep me on your mind / Leave everything else out.”

If everything on One More Light was that strong, LP could have made the album with Max Martin and Shellback and even die-hard LP fans would have no reason to complain.

“In Pieces” (Minutes to Midnight)

Skunkin Park! For all its instrumental and rhythmic strengths, Linkin Park has rarely prioritized boogie. The penultimate M2M-infused track is something of an anomaly in the catalogue.

Not that many Vans fans have shouted “pick it up, pick it up” over this song with its creepy melody, soulful guitar solo at the end of the song, and typically dense production, but at least it shows off an intriguing alternate universe where LP were more influenced by Rancid than by Reznor.

“Heavy” feat. Kiiara (One more light)

If fans had a legitimate complaint about One More Light, it’s that the single was obviously the best thing about the album – consider the tongue-in-cheek title if you’re focusing on the Top 40 production and co-writing of Tranter and Michaels, but know that what really made the LP heavier than your average nu-metal was the self-destructive emotional brutality, not the super-filtered guitars.

“And it drives me crazy thinking it’s all about me,” say Chester and guest vocalist Kiiara separately and in unison, a lyric of shocking self-awareness for a nu-metal veteran, but showing that fame, fatherhood and a few decades away from his youthful self have not cured his self-defeating solipsism.

“Little Things Give You Away” (minutes to midnight)

Traditionally, it’s been the really big things that have betrayed Linkin Park, as they seemed to lack the patience for interludes and lull-progress ballads that allowed the loudest songs on Nine Inch Nails albums to land with such ferocity. M2M’s closing track “The Little Things Give You Away” doesn’t quite accomplish that either, but its somber grandeur is restrained enough to at least keep up with Brand New’s best songs. title track doesn’t emerge as a chant until almost five minutes later. If there is such a thing as Linkin Park for non-Linkin Park fans, this is probably it.

“Blackout” (Thousand Suns)

Sounds like Linkin Park produced by Porter Robinson, except Robinson wouldn’t release his debut single for another year. “Blackout” is one of Linkin Park’s most intriguing compositions: a tent-like synth hook with a punchy disco feel, saved from dancefloor use only by one of Chester’s boisterous vocals.

He yells and stomps as if to make sure the track never plays on Z100. Still, the song is irresistible, even as it’s swallowed by the noise in the middle and continues with another dubstep breakdown that’s ahead of its time. Linkin Park’s subsequent club outings have never been entirely convincing, but “Blackout” shows that they could have been much more effective at leading the EDM crowd rather than following it.

“In the end” (hybrid theory)

Did you know that Limp Bizkit has never had a top 40 hit on the Hot 100? That Korn has only had one, and if you can name it in less than eight tries, you probably work for Billboard? Well, Linkin Park hit #2 on the Hot 100 in 2002 with “In the End,” unbelievably the fourth single from Hybrid Theory.

And they were able to take what was essentially a hostile top 40 genre to a spot of Hot 100 immortality for one simple reason: “In the End” was one of the best pop songs of the 21st century. So many parts of “In the End” have become iconic that it’s easy to take one or more for granted. The opening piano riff is iconic, of course. The first line is iconic. The chorus (“But in the end… it doesn’t even matter”) is iconic.

“Shadow of the Day” (Minutes to midnight)

The first real change in Linkin Park’s career came with this lighter track, which served as the zephyr that elevated Chester Bennington’s more direct vocals, with their stunned guitars, smooth bass and fading synths. It was a pretty big risk at a time when metal was mainstream enough that a band had something to lose by giving it up, but Linkin Park had the melodic flair to make it sing and the instrumental backing to make it massive, the song let more in. light with every verse and chorus until the guitars opened the shutters wide and bathed the chorus in glorious, undeniable sunlight. Forget Coldplay: “Shadow of the Day” believably proves that Linkin Park could have been an American U2 if they really wanted to.

“The Catalyst” (Thousand Suns)

Linkin Park never took more chances than on 2009’s A Thousand Suns, an album that sounds like a band confidently trying to pull off their masterpiece and just about succeeding. “The Catalyst” was kind of like Linkin Park’s “Paranoid Android,” a shape-shifting lead single that unfurled on the radio like a smart bomb; unlike Radiohead, LP actually had the commercial clout to detonate, and the song became a No. 1 rock and alternative hit. With its prog structure and relentless drive, it won’t be the first Chester song you think of. today, but it could be the one that sticks in your head until tomorrow.

“One step closer” (hybrid theory)

If you could boil the nu-metal era down to one sentence, it would be Jonathan Davis speaking in tongues, Fred Durst telling you exactly where to put the cookie, or Chester Bennington insisting, with no room for negotiation, “SHUT UP WHEN I’M TALKING TO YOU!” The full extent of what Linkin Park is capable of can hardly be gleaned from the content of “One Step Closer,” but it shows that they are the best of their time in at least one respect: making suburban teenagers around the world tell their stories. parents exactly what they really think. No band needs to accomplish more with their debut single than that.

“Points of Authority” (Hybrid Theory)

LP at its strongest: “Points of Authority” wasn’t even a proper single until its inferior remix of Reanimation (by that Orgy guy, go figure) was released in 2002, but it’s considered one of their first signature songs because it burns throughout: Shinoda’s barking introduction, Brad Delson’s rumbling fretwork, even Hahn’s scratching of bubbles on his fingers.

But it’s mostly a showcase for Bennington: “You like to think you’re never wrong/ You gotta act like you’re somebody” is pretty much the standard second-person tirade found in nu-metal, but Bennington’s piercing scream makes it feel like an almost generational rallying cry.

Final words: Best Linkin Park Hit Songs

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Editorial Staff
Editorial Staff
The Bollyinside editorial staff is made up of tech experts with more than 10 years of experience Led by Sumit Chauhan. We started in 2014 and now Bollyinside is a leading tech resource, offering everything from product reviews and tech guides to marketing tips. Think of us as your go-to tech encyclopedia!


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