Bollywood composer Amit Trivedi says he cannot prevent experimenting with tune. Perhaps that has develop into his trademark. It turns out to be a hallmark for the younger National Award winner who presentations his paintings in “Dev.D”, “Udaan”, “Nobody Killed Jessica”, “Bombay Velvet” or “Manmarziyaan”.
“When I compose a song for a film, I have to follow the script, the situation, the character on which the song is to be depicted, and the director’s request. So I have a limitation. At the same time, due to the same conditions, I find a way to show my originality. Maybe that’s what you call my signature that was created unwittingly. It is not a conscious effort to get my signature, it is pretty instinctive, ”Amit instructed IANS.
As a tune composer, Amit says he is influenced by means of RD Burman, Jaidev, SD Burman, AR Rahman, Shankar-Ehsan-Loy and Ilaiyaraja.
When requested how best possible to stay relevant in tune through the years, Amit Trivedi mentioned: “There is no formula to stay relevant with tune as time, as the sound of tune adjustments each and every six months or a yr . We pay attention a new sound each and every six months. So you’ll’t stick to a set formula. The approach to stay up to date is to stay up to date with world sounds and experiment with your personal composition. As you’ll see, my listening behavior are mirrored in my composed songs. “
Is it harder to determine a new sound than to give a boost to the rage? It is determined by the person. I might moderately check out to determine a sound that permits me to experiment, and by hook or by crook I’m for sure “out of the box”. At least after I create a sound thru experimentation, I’m glad. As quickly as I’m glad with my advent, I’m satisfied of my paintings. As quickly as the music is launched, you’ll inform that it is a “new sound”, “answered Amit Trivedi.