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The best songs of the 80s are somehow timeless and very much of their time. After all, this was a decade of rioting long hair, big shoulder pads, and big egos, so it creates a sense that the music of that era would still have an impact so many years later. The 1980s were an extremely transformative time for the music industry, and we are still feeling its effects. Remember, this is the decade that MTV launched and introduced the concept of music video as art. And any DJ topping the charts today should thank the ’80s for bringing synths and other digital sounds into the mainstream.
Rap and hip hop also made huge strides in the ’80s and paved the way for your favorite artists today. Tellingly, we received an overwhelming response when we asked the Glamor staff to share their favorite songs from the ’80s. Soon humans were jumping in to share songs that crossed all genres and moods. Uplifting love songs, melancholy goth rock, club hits, party jams, it was all represented. And somehow they all worked together on a playlist. So get out there and enjoy our picks for the best songs of the 1980s below.
Here is the list of the best songs of the 1980s
Purple Rain
Prince was so prolific in the ’80s that 90% of this list could be his and it would still be accurate. But forced to choose a Prince song, “Purple Rain” is the most obvious. It’s a bloated, immaculately crafted masterpiece showcasing everything that made Prince Rogers Nelson an absolute legend: his gift for unique melodies; his multi-instrumentalism; his amazing vocal ability to change from guttural to falsetto, from sad to ethereal; and his unrivaled ability to absolutely top a guitar solo. It’s Prince at his best, a song that’s as impressive today as it was nearly 40 years ago.
Upside down
After a string of disco hits with Chic and Sister Sledge in the late 1970s, Nile Rodgers and Bernard Edwards got the call in 1980 to do their first real superstar work. Rodgers and Edwards sat down to interview Diana Ross in depth for days before beginning work on her Diana Ross album. I’m cheating.”
living on a prayer
Livin on a Prayer is, without a doubt, Bon Jovi’s biggest hit of all time and a defining rock classic of the decade. It’s a karaoke favorite that’s been used in a number of video games, and Bon Jovi played an acoustic version in New York as a tribute after the 9/11 terrorist attacks.
Nave Maria
In the late 1960s, Tom Zé was invited by Caetano Veloso and Gilberto Gil to join the Tropicálistas and light a fire under Brazil’s military dictatorship. Often the musical element of the movement is accompanied by exuberant traditional Brazilian sounds with a rock ‘n’ roll pose and shocking depictions of political violence and social unrest; Zé, a firecracker among revolutionaries, was particularly concerned about the folly of “globalization.
When Tropicália lost the war, Zé was in on the experiment, and in 1984, six years after his previous full-length, he released a revealing electric work called Nave Maria. It sold like hot cakes, and the 48-year-old, too broke or heartbroken to continue, made plans to work at his brother’s gas station. Later that decade, David Byrne came across Zé’s music and released a compilation on his Luaka Bop label. A pointed and delightfully avant-garde climax, the title track of Nave Maria literally affirms that Zé is “a songwriter in one piece.”
And again
As for the breakup of her boyfriend/manager relationship, “Time After Time” was a game changer for Lauper, whose musical persona previously was unstoppably light and frothy. ‘Time After Time’ was quickly downgraded for her inclusion on her debut album ‘she She’s So Unusual’, ultimately becoming a key track for both Lauper’s career and the decade itself.
face me
Norwegian electro-pop trio A-ha’s first and biggest hit, ‘Take On Me’, gained international popularity in 1985 thanks to its groundbreaking video, a mix of live-action and pencil-drawn animation starring dreamy singer Morten . Harket as the hero of an escapist romance between a lonely woman and a comic book adventurer. The song’s masterfully catchy synth riff would be enough to secure it a spot on a list of ’80s classics. But ‘Take On Me’ is also notable for Harket’s unlikely octave-spanning vocals, whose seeming naturalness has inspired countless screeches. of karaoke.
BillieJean
Billie Jean, from the best-selling Thriller album of all time, won two Grammy Awards and is often considered one of the greatest songs ever written. The music video is legendary and was the introduction to Jackson’s famous moonwalk; it also helped cement MTV’s cultural importance for decades to come.
Cold heart
Paula Abdul’s debut album Forever Your Girl was released in the summer of 1988 to great reception, with the first two singles initially missing. But when the summer of 1989 rolled around, “Cold Hearted” was just one of several chart successes when the album finally broke up.
Straight to hell
Always a brilliant lyricist, Joe Strummer’s narrative drive on ‘Straight To Hell’ was multidimensional. Here the punk poet addressed Vietnam, immigration and gentrification. It was also a musical tour de force, combining ska, lovers rock and more into a cyclone of musical genres dividing another example of The Clash mixing everything together to create something brilliant and new.
Africa
Toto was a collection of studio ringtones with album credits by Steely Dan and Boz Scaggs. Covered in chest hair, sunglasses, and terrycloth, these feathered fellas were too anonymous to deserve the term supergroup. “Africa” was his contribution to the wave of telethon pop that clogged the Reagan era, another patronizing defense of charities like “We Are the World” and Band Aid.
A Yamaha GS1 synthesizer is designed to sound like an mbira; there’s a gong somewhere, for some reason. It is Heart of Darkness told from the terrace of a luxury yacht. Fortunately, the lotion-like groove smells more like coconut than fresh money. Oddly enough, it has become the unofficial theme song for the New England Revolution MLS soccer club, as well as an unexpected mega-hit for Weezer.
the glamorous life
One version of the story: Prince’s genius is such that it seeps into everyone he works with, elevating the ordinary and understated in the world. The real version of the story: Prince still had an uncanny knack for spotting talented female artists and providing them with world-class platforms. While “The Glamorous Life” is undeniably a song by Prince, of the worldly celebrity wannabe saved from independence by “the seventh wave” of all-lyric-pushing cuckolded lovemaking, it’s a song that brings the person adequate.
Prince’s lyrics may have been ridiculed by someone else, but with Sheila it’s just there, a vessel for her to fill with a star of potential energy, much of it through a percussive solo, deployed live like a sudden tornado. It’s the rare recording that sounds like the making of stars in their own right, without the bias of the story, and it’s the rare producer who knows exactly what to do with a star when he hears it.
Start again
Starting Over was the last single released by John Lennon before his untimely death. The song portion of Lennon’s 1975 Double Fantasy album contains beautiful music. After a five-year hiatus from the music industry, Lennon thought the song was a great way to show fans that he’s back in action. The record label released the song in the United States on October 27, 1980, when Mark David Chapman bought the gun that killed Lennon.
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